Jean-Vincent Blot graduated from the National Conservatory in Paris. He achieved his tuition under the guidance of Hartmut Höll, Malcolm King and Margaret Hönig.

 

He performs a repertoire ranging from baroque music (Jupiter in Platée in Toulouse and Versailles) to the great French, Italian, and German repertoires. He has performed on most French opera stages, as well as at La Scala in Milan and the Liceu in Barcelona.

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He champions the French repertoire through roles such as Le Duc in Roméo et Juliette (Milan), Le Comte des Grieux in Manon (Barcelona), Nourabad in Les Pêcheurs de Perles (Bordeaux), Arkel in Pelléas et Mélisande (Prague, Clermont-Ferrand, Hardelot), Le Gouverneur in Le Comte Ory (Rennes, Rouen), Ramunc in Reyer's Sigurd (Marseille), Crespel / Luther in Les Contes d'Hoffmann (Deutsche Oper Berlin / Bremen, Baden-Baden, Toulon), Le Spectre du Roi in Hamlet (Angers, Nantes, Rennes, Massy), Le Grand Inquisiteur in L'Africaine (Marseille), Le Fauteuil / L'Arbre coupled with Don Inigo Gomez in the diptych L'Enfant et les Sortilèges / L'Heure Espagnole (Avignon, Tours), Calchas in La Belle Hélène (Avignon), and of course Zuniga in Carmen, which he has sung on most French lyric stages.

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In the Italian repertoire, he can be heard notably in the roles of Raimondo in Lucia di Lammermoor (Angers, Nantes, Rennes, Lorient, Massy, Compiègne), Grenvil / Douphol in La Traviata (Angers, Nantes, Rennes, Nancy), Haly in L'Italiana in Algeri (Vichy), Lodovico in Otello (Santander), Ceprano in Rigoletto (Metz, Rennes, Nancy, and Caen), Rambaldo in La Rondine (Nancy), Tom in Un Ballo in Maschera (Angers, Nantes, Rennes), Il Bonzo in Madama Butterfly (Bordeaux, Saint-Étienne), Sciarrone in Tosca (Nancy), Il Re in Aida (Montpellier), and Angelotti in Tosca (Angers, Nantes, and Rennes).

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In the German repertoire, he sings Der Erste Soldat / Zweiter Nazarener and Der zweiter Soldat in Salomé (at Metz and Bordeaux respectively), Daland in Der fliegende Holländer (Rouen), and recently made his debut in the role of Rocco in Fidelio (Saint-Céré).

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In concert, he sings bass soloist roles in Piccinni's Iphigénie en Tauride (Orchestre National de France), Honegger's Jeanne d'Arc au Bûcher (Accademia Nazionale di Santa Cecilia in Rome under the baton of Antonio Pappano), Stravinsky's Renard (Radio France, Toulon), Stravinsky's Pulcinella (Rennes), and Puccini's Messa di Gloria (Toulon, Metz).

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He performs the role of Colline in the film: La Bohème 2050 - a dystopian musical feature film based on Puccini's La Bohème for France Télévision.

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During the 2026-2027 season, he sings Sciarrone in Tosca at the Opéra de Massy, Raimondo in Lucia di Lammermoor in Reims, Rocco in Fidelio on tour (Compiègne, Tourcoing, Vichy, Clermont-Ferrand, Nîmes, Chartres, Namur, Rennes), and Grenvil in La Traviata in Vichy.