After studying music in Montpellier and Paris, Jordan Mouaïssia joined the Maîtrise de Notre-Dame de Paris, where he was a student of Rosa Dominguez. He is a laureate of the Royaumont Foundation and the Froville competition (2023), where he won three awards: the Audience Award, the Génération Opéra Award, and the Gemelli Factory Award.

 

During seasons 2023-2024 and 2024-2025, he was a member of the ARCAL young opera troupe and the Studio of the Ensemble Il Caravaggio, directed by Camille Delaforge. This has allowed him to participate in numerous stage productions and concert series.

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On stage, he sang Un Pastore in L’Orfeo (Ensemble I Gemelli, conducted by Emiliano Gonzalez-Toro) and Iro in Monteverdi’s Il Ritorno d’Ulisse in Patria (staged by Mariame Clément at Royaumont). He also performed as Un Pastore and Vistola Fiume in Caccini's La Liberazione di Ruggiero dall’isola d’Alcina (with I Gemelli in Versailles, at the Concertgebouw in Amsterdam, in Ambronay, at the Capitole in Toulouse, and in Lausanne), and Gernando in Haydn’s L’Isola Disabitata (Festival 12x12 in Paris). He participated in the re-creation of the 17th-century English "mask" Cupid and Death with the Ensemble Correspondances conducted by Sébastien Daucé (in Meudon and at the Théâtre de Cornouailles). He also sang Ferrando in Così Fan Tutte (Caylus Festival), a Musician in Campra’s Le Carnaval de Venise (on tour in France with La Co[opéra]tive), Panatellas in La Périchole (Bayonne) and his debut as Nemorino in L'Elisir d'Amore (Salle Molière in Lyon).

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In concert, he performed the role of the Christ in Mozart’s Die Schuldigkeit des ersten Gebots (Versailles, Saint Denis Festival, Bremen, Ambronay) and Le Reniement de Saint Pierre by Charpentier (Saintes) with the Ensemble Il Caravaggio. He also sang the solo tenor parts in Monteverdi's Vespers with the Ensemble I Gemelli (Aix-en-Provence Easter Festival, Palau de la Música in Barcelona, Teatro de la Maestranza in Seville, Bilbao), the St. Matthew Passion (Notre-Dame), Handel’s Messiah (American Church in Paris), Mozart’s Requiem (Sunday Morning Concerts at the Théâtre des Champs-Élysées), Les Leçons de Ténèbres by Couperin with the Ensemble Les Palladins (Pontoise Festival), the Requiem by Campra with the Ensemble Correspondances as well as a selection of Bach Cantatas with the Ensemble Stradivaria.

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His discography includes Yves Castagnet's Magnificat, Mozart's Die Schuldigkeit des ersten Gebots, Monteverdi's Vespers, and Caccini's Alcina.

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During the 2026-2027, on stage he sings in Pinocchio by Philippe Boesmans touring France and takes over Le Carnaval de Venise in Versailles and Caen with La Co[opéra]tive. He makes his debut as Pelléas from Pelléas et Mélisande in a semi-staged version with piano in Mandelieu-la-Napoule and takes part in Un Voyage en Bateau - an immersive opera with the Opéra de Lille.  In the concert field, he sings Mercure and the 2nd Parque from Hippolyte et Aricie with Les Talens Lyriques (Paris Philharmonie, Barbican Centre in London, Teatro alla Scala in Milano, Beaune) and takes part in many series with such Ensembles as La Palatine (Oratorio by Rossi, Madrigaux by Monteverdi), Caravaggio (program Musica Regalis), Correspondances (Bach Cantatas), I Gemelli (Alcina).