© 2019 - BLG Artist Management

Haydn - Die Schöpfung

"Und Gott sah das Licht, dass es gut war...

Nun schwanden vor dem heiligen Strahle..."

Mark VAN ARSDALE   -   Tenor

Originally from Denver, Colorado, Mark Van Arsdale received his vocal training from Northwestern University and Indiana University, as well as the Tanglewood and Opera Theatre of St. Louis young artist programs, before moving to France to become a Studio Artist with the Opéra national du Rhin in Strasbourg and the Academy of the Opéra Comique in Paris.

 

He made his debut as Don Ottavio in Don Giovanni at the 2009 Tanglewood Festival under the direction of James Levine. He regularly took over this role - recently in Ecuador and Hungary.

 

At the Opéra du Rhin in Strasbourg and Mulhouse, he sang such parts as Alberto (L’Occasione fa il Ladro), Ramiro (La Cenerentola), Ernesto (Don Pasquale), Geharnischter Mann and Priester then Tamino (Die Zauberflöte), Nadir (Ali Baba by Cherubini), Bois-Rosé (Les Huguenots),  Borsa (Rigoletto), Marcellus (Hamlet), Federico (L’Amico Fritz), Le Brésilien (La Vie Parisienne),  Léodès (Pénélope by Fauré), Gastone (La Traviata) and the 2nd Jew (Salome).

 

He sang Tamino (Die Zauberflöte) at the Opéra de Nice and in a touring production for the Open Air Opera Festival, Belmonte (Die Entführung aus dem Serail) at the Sédières Festival, Arturo from Lucia di Lammermoor at the Opéra de Tours and Toulon, Lurcanio (Ariodante) at the Landestheater in Salzburg, Saladin (Ali Baba by Lecocq) at the Opéra Comique in Paris and in Rouen, Adam (Paradise Reloaded by Eötvös) in Chemnitz, Achille (La Belle Hélène) at the Théâtre du Châtelet in Paris, Bois-Rosé and Tavannes (Les Huguenots) in Nice, Lucano / Liberto / Famigliari II / Soldato Pretoriano I from L'Incoronazione di Poppea in Nantes, Poisson from Adriana Lecouvreur and Toso for the world premiere of Fando et Lis by Benoît Menut in Saint-Etienne. He made his role-debut as Nadir from Les Pêcheurs de Perles at the Saint-Céré Festival.

 

In the concert field, he sang Haendel’s Messiah (Cheyenne Symphony Orchestra, Apollo Chorus of Chicago, and Lafayette Bach Chorale), Haydn’s Schöpfung (Ballet de l’Opéra du Rhin), Mozart’s Requiem (Orchestre Philharmonique de Strasbourg) and C-Mass (Orchestre Symphonique de Saint-Etienne), Mendelssohn’s Elijah and Britten’s War Requiem (Indiana University Symphony and Chorus), Bach’s Magnificat and Johannes-Passion (Cheyenne Symphony Orchestra and Lafayette Bach Chorale), Britten’s Illuminations (Orchestre du Poitou-Charentes), Mozart's C-Mass, Britten's Serenade for Tenor, Horn and Strings (Orchestre de Saint-Etienne), extracts from Gounod's Cinq Mars and Berlioz’ La Nonne Sanglante (Berlioz Festival in La Côte-Saint-André). He took part in a series of opera galas on tour with the Orchestre de Limoges and sang Rossini's Stabat Mater with the Orchestre Lamoureux (Paris).

 

His engagements for season 2019-2020: Nadir from Les Pêcheurs de Perles, Bastien from Bastien und Bastienne and Mozart from Mozart and Salieri (Clermont-Ferrand), the title-role in Phaeton by Lully (Nice), and he will take over the series of opera galas with the Orchestre de Limoges. 

Haydn - Die Schöpfung

"Mit Würd’ und Hoheit angetan"

Gounod - Cinq Mars

"Ô, chère et vivante image..."

Berlioz - La Nonne Sanglante

"C'en est donc fait, plus d'espérance..."

Die Zauberflöte - Tamino : "Wie stark ist nicht dein Zauberton..."

Indiana University Opera Theatre - 2009

Hervé Le Guillou